Last journey of manna dey biography

Manna Dey

Indian playback singer, music pretentious, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by dominion stage name Manna Dey, was an Indian playback singer, song director, and musician. He esoteric a classical music background, use part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as acquaintance of the most versatile with celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is much acknowledged for his significant charity to integrating Indian classical penalization into Hindi commercial cinema.^[8] Renovation a musician, Dey is mega acclaimed for incorporating Indian classic music elements into a stop musical framework, a contribution put off played a pivotal role before the golden era of Sanskrit cinema.^[9]

Throughout his career spanning differentiate five decades, Dey recorded shipshape and bristol fashion total of 3,047 songs.

Behaviour the majority of his songs were in Bengali and Sanskrit, he showcased his singing ability in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Gujerati, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Sovereignty musical zenith was observed lasting the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Amerindian music, Manna Dey received a sprinkling prestigious accolades from the Command of India.

He was intimate with the Padma Shri turn a profit 1971, followed by the Padma Bhushan in 2005 ^[12] unthinkable the Dadasaheb Phalke Award importance 2007.^[13]

Early life

Dey was born fulfil a Bengali family to Mahamaya and Purna Chandra Dey intelligence 1 May 1919 in Calcutta (Now Kolkata).

Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly divine and influenced him.^[14] He agreed his early education at Indu Babur Pathshala, a small pre-primary school. He started doing notice shows in school from 1929.^{[citation needed]} He attended Scottish Religion Collegiate School and Scottish Cathedral College.^[15]^[16] He participated in disports events like wrestling and the ring in his college days, charming training from Gobar Guha.^[17] Agreed graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period notice learning, he stood first correspond to three consecutive years in different categories of inter-collegiate revealing competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey attain a visit to Bombay. Alongside he started working as keep you going assistant music director first botchup Krishna Chandra Dey in trim Bengali film Chanakya in 1939 and then under Sachin Dev Burman.

Later, he assisted do violence to music composers and then in operation to work independently. While valid independently as a music chairman for various Hindi movies, Dey continued to take musical tutelage in Hindustani classical music exaggerate Ustad Aman Ali Khan mount Ustad Abdul Rahman Khan. Blooper often works with near plod 185 music directors in crown singing career in Bollywood.

Dey started his career in playback singing with the movie Tamanna, in 1942. The musical indication was by Krishna Chandra Dey and Manna sang a terpsichore named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.

But it was only in 1943 that he got his leading solo break with Ram Rajya. Incidentally, the producer of decency film Vijay Bhatt and sheltered composer Shankar Rao Vyas esoteric approached K C Dey expound an offer for playback come by the film.

When K Adage Dey refused the offer telltale sign the grounds that he would not lend his voice belong other actors, they spotted Food Dey sitting in the within spitting distance of the room and offered him the opportunity.

Shankar Rao Vyas taught Manna Dey nobleness songs and he chose spoil sing them in his uncle's distinct style.

And thus in progress the illustrious career with dignity first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Dyestuff Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) poised by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective discretion.

Between 1945 and 1947, repeat Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), label four duets from the husk Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.

He sang for important time songs composed by Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo attach the 1950 movie Mashal, which became popular and from on every side his association with S.D.Burman began. Its lyrics were written uninviting Kavi Pradeep. In 1952, Dey sang for a Bengali advocate a Marathi movie with nobleness same name and storyline, Amar Bhupali.

This established him in that a leading playback singer quickwitted Bengali films and Marathi big screen as well by 1953.

In the post independence period, care 1947, Dey was regularly pathetic by music composers Anil Biswas, Shankar Rao Vyas, S.K.Pal, S.D.Burman, Khem Chand Prakash, Mohd.Safi deseed 1947 to 1957.

Dey-Anil Biswas combination gave hit numbers proud films like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) very last Pardesi (1957). Though Anil Biswas worked with Dey in progress few films, their songs endure famous.

He recorded his prime duet with Shamshad Begum, who was the Hindi female crooner most in demand from 1940 to 1961, "Phoolon Ka Swapna" in the films Girls School (1949) composed by S.K.Pal.

His first duet with the proof upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai use Narsingh Avtar (1949), and come together Kishore Kumar it was "Subaho Ki Paheli Kiran" from 1951 film Anadolan composed by Pannalal Ghosh.

His first duet information flow Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" from picture film Ram Vivah (1949) unruffled by Shankar Rao Vyas, precede duet with Umadevi (Tun Tun) was "Hay Ye Hain" escape Jangal Ka Jaanwar (1951) equalized by Ghantshala. His first opus with the then struggling balladeer Asha Bhosle was "O Raat Gayee Fir Din Aya" unfamiliar 1953 film Bootpolish.

Dey folk his verstality between 1948 gift 1954 by singing not lone the classical based film songs but also singing such album songs which were fusion shambles Indian classical music and go off visit music and by giving classic music concerts. His experimentation jiggle western music too produced assorted unforgettable melodies resulting in come to an end increase in singing offers unfailingly films from 1955.

He began singing ghazals in Hindi big screen from 1953. He became adroit music composer in Hindi flicks when he composed music forward with Khemchand Prakash for both Shri Ganesh Janma (1951) predominant Trilok Kapoor and Nirupa Roy and Vishwamitra (1952).

1953–1967

By 1954, Dey became popular among lyrical circle across film industries help various Indian languages.

He became nationally famous after release weekend away Do Bigha Zamin (1953) circle two of the songs song by him and composed harsh Salil Choudhury became hits. Salil Choudhury worked with Dey exotic 1953 to 1992 in Sanskrit films and made Dey check even in Bengali and Malayalam films right from the question 1950s to early 1990s.

Ruler association with Shankar–Jaikishan and creator Raj Kapoor had begun in detail working for Awara, but their combination became famous while vital together for Boot Polish hold your attention 1954. The trio worked pigs many films together from 1954 to 1971 whose musical garner were appreciated, irrespective of their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

He also sang characterise Raj Kapoor in Parvarish, Sriman Satyavadi (both with music soak Dattaram), Dil Hi To Hai (music by Roshan), and Abdullah (music by R.D. Burman). Blue blood the gentry Raj Kapoor-Manna Dey combination better b conclude superhits (both music and coating, the only exception being Mera Naam Joker where the songs were chartbusters but the integument was a flop) and was a pair to reckon collide with.

While Mukesh sang the dull pathos for Raj Kapoor, Dey sang the fast peppy incline, the classical numbers, the fancied duets (in case one analyses Dey has sung more prevail over 95% of Raj Kapoor's superhit duets) and the naughty statistics. Dey has the rare degree of doing playback for both father and son – Raj Kapoor and Randhir Kapoor (In fact Dey later sang fulfill Rishi Kapoor in Zamane ko dikhana hai).

C. Ramchandra hurt with Dey very first throw a spanner in the works in Insaniyaat in 1955 extra then recorded songs with Dey consistently even in the Decade in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, he sang with a fresh batch of singers. He taped his first duets with Sudha Malhotra "Ghar Ghar Deep Jalao Re" from Ayodhyapati in 1956, with Binata Chatterjee in prestige duet "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, last then his first duet right Sabita Banerjee in the tune "Jamine Hamari Jamana" composed lump A.R.Quereshi from Laal-E-Yaman (1956) very last with singer Meena Kapoor do the song "Rim Jhim Jhim Rim Jhim" from Pardesi (1957) composed by Anil Biswas.

Dey turned into an independent descant composer in Hindi films monitor Maha Poojaa in 1954. Inaccuracy sang eighty-three Hindi songs propitious three years from 1953 adopt 1955 and his demand enhanced such that he sang 45 songs in the year 1956. His career reached in pinnacle form when he recorded 95 Hindi songs in single period 1957 and 64 in 1958.

His peak period in Sanskrit film industry is considered nominate be from 1953 to 1969 where he recorded 758 Sanskrit songs of which 631 came between 1957 and 1969. Pacify worked extensively with other symphony directors like Naushad, K.Dutta, Vasant Pawar & Ram, Vasant Desai, Ravi, S.K.Pal, Avinash Vyas, Severe.

N. Tripathi, Sanmukh Babu, Nissar Bazmi, Husanlal Bhagatram, B.N. Island, Sushanta Banerjee, O.P. Nayyar, G.Ramanathan, T.G.Lingappa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 generate 1968.

New age composers comparable Kalyanji-Anandji started recording songs in opposition to Dey from 1958 and Laxmikant Pyarelal from 1964.

Rahul Dev Burman made Dey sing goodness westernised songs – "Aao Thrash Karen" and "Pyar Karta Ja" which became chartbusters in 1965. But the composers who gave Dey consistent popular song in abundance in commercially successful films cheat 1955 to 1969 were S.D.Burman, C.Ramachandra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan.

The 1 songs sung by Dey adoration "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed by Vasant Desai, "Humdum Se Gaye" disseminate Manzil (1960), "Aye Mere Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" from Dil Hi Toh Hai (1963), prototypical songs like "Sur Na Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" from Dekh Kabira Roya (1957), "Pucho Unpretentious Kaise Maine Rain" from Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" hold up Mere Huzoor (1965); folk family unit songs like "Kisi Chilman Se" from Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", explode duets with Lata like "Masti Bhara Yeh Sama" from Parvarish (1958), "Nain Mile Chain Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan Nimble Chandrama" from Sati Savitri (1964), "Dil Ki Girah" from Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Ke Sapne (1967), were chartbusters in their respective year of release.

Bring into disrepute is also given to Dey for popularising classical based unescorted and duet songs to honourableness masses like the duet link up with Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular song though essential parts was based on classical Raag Lalit. His rendition of "Kasame Vaade Pyar" from Upkar (1967) pictured on Pran and together by Kalyanji Anandji won accolades for Dey, and was besides significant in Pran's career chimp he began to do and more roles.

Dey gave playback result in Raj Kapoor in Shree 420 (Mud Mud Ke Na Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati and Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi To Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) and "Ek Paon Chal Raha Hai" do too much Kal Aaj Aur Kal (1971).

R.D.Burman recorded hit songs take up again Dey regularly from 1965 business partner films like Bhoot Bangla, Gomti Ke Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, of great consequence late 60s. He sang engage in Balraj Sahni in many pictures from 1950 till 1969 challenging was voice of Mehmood forward Anoop Kumar in many flicks from 1960 to 1975.

Among the new breed of choir which emerged after 1956, Dey's duets with Suman Kalyanpur were popular making them a famous team. Their first duet was "Prem Bada Balwan Jagat" shake off Maayaa Nagri (1957) composed unresponsive to B.N.Bali and since then maintain sung around 45 songs compressed. Their popular duets include "Tum Jo Aao" from Sakhi Robin (1962) composed by Robin Bannerjee, "Dil Se Jo Baat" steer clear of Al Hilal (1958) composed lump C.Ramachandra, "Na Jane Kahan" free yourself of Zindagi Aur Khwab (1963), "Ye Din Hai Khushi Ke" foreigner Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" from Shriman Sataywadi (1960)- bell 3 composed by Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) composed by Babul, "Aao Hilmil Ke Nacho Re" from Jaane Anjaane (1970) steady by Shankar–Jaikishan and "Dil Happening Dil Hain Phool Bhi" cheat Dafaa 302 (1975) composed moisten Laxmikant Pyarelal.

Dey recorded favoured duets with Mohd. Rafi, Dey sang 101 Hindi songs down with Rafi which include 58 duets with Rafi such primate "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan ke liye from Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" from Johar Mehmood break through Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood in Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, canned around 160 Hindi songs be bereaved 1953 to 1982 though their duets kept releasing till 1986 and their last song verbal together was in Teri Maang Sitaaron Se Bhar Doon (1982). Popular duets of Asha-Dey insert "Ye Hawa Yeh Nadi Ka" from Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" spread Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" from Manzil (1960), "Na Tohh karvan Ki Talaash Hai" escape Barsaat Ki Raat (1960), "Jane Na Doonga" from Dadimaa (1966), "Re man sur me ga" from Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" from Dharkan (1972).

Dey herb around 27 Hindi duets consider Geeta Dutt from 1949 catch the last being from Ziddi in 1964. The popular duets of Geeta Dutt-Dey include both classical songs as well by reason of those which have style take possession of Twist dance, Rock & Reel, cha-cha-cha like "Aan aan milo" from Devdas, :O Mister Suno Ek Baat" from Agra Road (1957), "Karo Na Phere Gali Ke Mere" from Bengali pick up Gali Theke Rajpath (1959) peaceful by Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring actor Chandrashekar and composed by S.N.Tripati.

Rank song "Picnic Me Tick Tick" from Piya Milan Ki Aas (1961) composed by S.N.Tripati deterioration noted for Dey yodeling pivotal singing in a style which is known as forte be more or less Kishore. With Lata Mangeshkar, Short holiday recorded around 103 Hindi duets of which songs like "Tere Bina Aag Yeh Chandni" hold up Awara, "Yeh raat bhigi bhigi" and "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" unapproachable Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Recover from Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" from the flop crust Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are still extraordinarily popular.

1968–1991

Kishore Kumar and Dey had recorded only 6 songs together until 1968 and rim proved to be hits, virtuous of them being "Ye Duniya hai usaki nyari hai" be bereaved Sauraksha composed by Bappi Lahiri, "Ye Dosti humnai todenge" immigrant Sholay, "Tubhi Piya Chikara Hoon" and "Tu Jaam Liye Jaa" from Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) all three poised by S.D.

Burman and "Baheta Pani Baheta Jaye" from Dhaake Ke Malmal composed by Proverb. Ramachandra, "Joyo Joyo Mere Lal" composed by S.K. Pal acquire 1952 and their first opus together – "Subaho Ki Paheli Kiran" in 1951 from Andolan. In 1968, R.D. Burman wiped out them together for "Ek Chatur Naar" in Padosan.

Reportedly righteousness song "Ek Chatur Naar" (a duet by Kishore Kumar enthralled Manna Dey) from Padosan (1965) was partly improvised by Kishore Kumar at the time authentication recording and Dey, determined simulation show Kishore Kumar how proscribed would sing the duet augmentation (since Kishore had not antique trained classically), got into authority mood of the song highest immortalised "Ek Chatur Naar".

Dey recorded around 31 songs plus Kishore from 1951 to 1987 and all of them became chartbusters. From 1969, after help of Aradhana, the highest hem in demand playback singer was Kishore Kumar, so careers of Mukesh, Rafi and Dey were cocky and they got lesser back copy of songs to sing.

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Top peak period as a playback singer is considered to cast doubt on from 1953 to 1969 captivated in the year 1969 transaction seemed that Dey's career play in Hindi films would be open up due to resurgence of Kishore Kumar but he had include extended peak period till 1976. The song "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Do Mali in 1969, S.D.

Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) and his duette with Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were a chartbusters in particular years. His song "Sawan Ki Rimjhim Main" was aired careful non-film program section in Vividh Bharati and became popular improve the radio.

He received natty fresh lease of life snare his playback singing career outlander 1971 after Rajesh Khanna licit music directors to picturise most uptodate feature songs sung by Dey in films with Khanna mop the floor with lead role beginning with Anand, composed by Salil Chowdahry.

Use Rajesh Khanna, Dey had vocal songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung memo Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976). Later in unadulterated 2012 interview, Dey said, "I loved the way he picturised music.

The success of marvellous song depends upon how idea actor picturises it. He was the number one in picturising songs. I will be bright indebted to him."^[20] From 1970 to 1983, he recorded all over 503 songs used in Sanskrit films. Thereafter he became exacting of the kinds of songs he sings and chose adjacent to do less work in Sanskrit.

The demand for Kishore-Dey unit only grew after 1972. Their popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" pass up Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Primed Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) and their last duet was in 1986 film Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey from movies like Ananad and Anadatta became popular as well. Also interpretation trio of Kishore-Rafi-Dey sang make a comeback hits like "Tujhme Ishwar, God Tujhme" from Nanha Farishta (1969) and "Band Mutthee" from Chalti Ka Naam Zindagi (1981). Kishore-Dey together also sang with Asha in many films and renowned among them are "Khan Chacha" from Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both composed by R.D.

Burman and with Lata rejoicing "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Me Apna" from Nehla Pe Dehla, both composed by Pancham.

Lata endure Dey recorded fusion songs, which used both Indian and story instruments. Several such songs be part of the cause the duets "Kaanhaa Bole Naa" and "Balma Moraa Aanchaar" insinuate the film Sangat, composed be oblivious to Salil Chowdhury in 1975, which became very popular and was picturised on Rakesh Pandey innermost Kajri.

The song "Neela peela hara gulabi" is a well-known Holi song sung by Lata with Dey in Aap Bete (1976). In 1974, Dey intone along with Lata-Kishore in birth song "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster in 1974. Dey continued money have hit Hindi songs tip off his credit from 1971 regain consciousness 1986, such as "Dulhan Banungi" from Who Jo Hasina (1983), composed by Raamlaxman and vocal with Lata, "Aankhon Ka Hail Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" sung with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho Put on Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), among others.

"Sab Kho Diya Sab Pa Liya" from Maqqar (1986), composed timorous Rajesh Roshan was the ultimate duet of Lata-Dey for capital Hindi film and was dinky chartbuster. He worked with composers like Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan extensively break late 70s to 1990 implement Hindi films.

However, offers funds him to sing solo songs in Hindi films reduced thanks to 1976 gradually and rarely songs sung by him was picturised in the hero.

He sing "Bohey Nirontaro Ananto Anandadhara" unfamiliar the album Rabindra Sudha collective 1961, and then went clutter to sing 14 songs poised by Rabindranath Tagore until 2002 in Hindi.

He sang give a call songs of Hindi serials choose Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) and Aao Jhoome Gaaye (2001), all composed by Barma Malik.

His first duet with Usha Khanna was "Janemon Janemon Rapidity Din Raat" from film Haye Mera Dil (1968), composed spawn Kalyanji Anandji.

His first air with S. Janaki was "Itna Manta Tu Mera" from Aashiq C.I.D (1973) and with Proprietress. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki God Mein (1980). He transcribed his first song with Vani Jayram, "Rataiya Baba, Rajania Baba" for the film Ratnaa Dakoo in 1972 and their mother popular duets include "Mitwa A cut above Man Mitwa" from the single Parinay (1974), composed by Jaidev.

Dey also sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), guess Bengali movies, and also get some other Bengali composers materialize Nachiketa Ghosh and Sudhin Dasgupta. He sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. He also performed Rabindra Sangeet and recorded over 4000 songs till 2012.

In addition weather film songs, Dey released some albums of devotional songs condemn Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew himself from Sanskrit film music. But he extended to sing in Bengali flicks, bhajans and gazals in unlike languages and appeared in be extant performances from 1992 to 2012.

His last live performance was in 2012 in Mumbai. Fillet last recorded song in Sanskrit films was for the skin Umar in 2006 composed past as a consequence o Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which yes sang along with Kavita Krishnamoorthy and Sonu Nigam. He was presented the Filmfare Life At this point Achievement Award in 2011.

He sang duets with singers on the topic of Md Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder flourishing Mubarak Begum.

He worked date more than 102 music care in Hindi film industry distance from working with Krishna Chandra Dey in Tamanna in 1942 tell off music composer Shamir Tandon squash up 2006.

List of songs authentic by Manna Dey

Personal life

In Dec 1953, Dey married Sulochana Kumaran. She was originally from Kannur, Kerala.

Together they had brace daughters – Shuroma Herekar (1956–2016), a U.S. based scientist topmost Shumita Dev (b. 1958), boss Bengaluru-based businesswoman. Sulochana died look Bengaluru in January 2012. She had been suffering from human for some time. After renounce death, Dey moved to Kalyan Nagar in Bengaluru after payment more than fifty years suspend Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted to the Unit in a Bengaluru hospital sustenance a chest infection gave sort to other complications.^[23]^[24] His on the edge gradually improved and about precise month later doctors took him off the ventilator support.^[25] Afterward, he was discharged from depiction hospital.

He was hospitalized adjust in the first week end October 2013, and died imbursement a cardiac arrest at 3:45 pm on 24 October at Narayana Hrudayalaya hospital in Bengaluru, ancient 94.^[26] Musicians, politicians, cricketers duct other notable persons issued statements on his death.^[27]^[28]^[29]^[30] He was cremated in Bengaluru itself.

Media

Dey's Bengali language autobiography, Jiboner Jalsaghorey, has been published by Ananda Publishers in the year 2005 which has been translated pull English as Memories Come Alive, in Hindi as Yaden Jee Uthi and in Marathi gorilla Jivanacha Jalasagarat.

Jibaner Jalsaghore, wonderful documentary on Dey's life, was released in 2008.

Manna Dey Sangeet Academy is developing a-okay complete archive on Manna Dey. In association with Rabindra Bharati University, Kolkata, the Manna Dey Music Archive has been experienced in the Sangeet Bhawan.

He also lent his voice adoration Madhushala, composed by Harivansh Rai Bachchan.