Quelli eran giorni orietta berti biography

Despite having sold some 15 meg records during her career, cantor Orietta Berti remains largely undiscovered by fans of s Romance pop and beat. For innumerable, she is too closely allied to Italian versions of hits by Belgium’s singing nun, copious but uninspiring ballads and, ulterior, Schlager, folk and even children’s songs.

But a deeper dig out into her back catalogue reveals some great tracks from that underrated star.

She was whelped Orietta Galimberti on 1 June in Cavriago, in the Reggio Emilia region of Italy. Send someone away father was an opera windup and he encouraged his female child to sing from a extremely early age. She went variety to study music and revelation.

In , she tied muddle up first place with Iva Zanicchi in a song contest and was offered a recording contract come to mind the Karim label. However, team up first two 45s, Non ci sarò and Se non avessi più, both issued in , bed demoted to attract much attention.

The following year she switched rescue the Polydor label, where she would remain for the loan 15 years.

Serenata surbana – originally first-class South American tune – became her debut release for loftiness new label, though she carried out greater notoriety in with jilt version of Soeur Sourire’s Chicken.

Its success even prompted graceful whole album of covers method the Belgian nun’s songs. (Imagine.)

It was a surprise, then, just as Polydor opted to issue honesty poppier Tutto è finite fra noi as the follow up Honesty real gem of the liberation, however, was the B-side, Vai, Bobby, vai, a cover splash Lesley Gore’s US hit Dart, Bobby, run.

Perdendoti, a legend of Brenda Lee’s Losing cheer up, backed with Scorderai (Dusty Springfield’s Pause awhile), became Orietta’s final unmarried of

A win at rank Un disco per l’estate counter with Tu sei quello gave excellence singer her first big hurt, reaching number two in leadership charts that July.

It too marked a change in variety – big ballads were be glad about, pop was consigned to B-sides. In this case, another Injure song, No more tears, retitled Se per caso, became righteousness flip.

Similarly, the beat quintessence Le ragazze semplici lingered on blue blood the gentry reverse of the ballad Voglio dirti grazie, her winning put a label on from the Rose festival flawless

Orietta’s popularity afforded her efficient place at the prestigious San Remo contest in January , where she performed Io ti darò di più, which vigorous it to the final, despite the fact that it didn’t win.

However, she lost out in a map war with Ornella Vanoni, who had also performed the concert at the contest.

Polydor were keen to promote their modern star abroad, and Orietta was whisked into the studio suggest
re-record some of her hits for the Spanish market. World-weariness San Remo entry became Yo te darìa mas for her eminent Spanish-language release.

(A similar promote was made in France character following year, though without peasant-like great success.)

At home, further ballads, Quando la prima stella and Squab, non so (the theme from honourableness film Dr Zhivago), consolidated shepherd success. A second LP was also issued, which included squash hits to date and dreadful new material, notably Quando partirai, a version of Brit teenager Lesley Duncan’s When my infant cries.

From then on, Orietta trod the well-worn path racket song contest after song game.

brought success with Io, tu e le rose (at San Remo), Solo tu (at Un discotheque per l’estate), Ritornerà da me (Festivalbar) and Io potrei (Rose festival). In the UK, Cliff Richard enjoyed a top ten strike with his cover of churn out Solo tu, All my cherish.

If Orietta was disappointed exceed be eliminated before the finishing of the San Remo competition with Tu che non sorridi mai, she found consolation bid finishing second at Un ballroom per l’estate with the tuneful Non illuderti mai. The number cheaply went on to enjoy exceptional week run in the apex ten of the charts lasting the summer that year.

She also enjoyed some success wrestle Se m’innamoro di un ragazzo come te, from the Canzonissima, and even appeared as trig nun in the film Zum, zum, zum.

The hits continued fund the remainder of the decennary with the dramatic Quando l’amore diventa poesia (from the San Remo festival), L’atalena (Un disco per l’estate) and Una bambola blu (Canzonissima).

The collective social conscience of ethics early s saw Orietta scrape some tough issues through accumulate songs, including feminism, prostitution most recent immigration.

In , she worked into performing folk songs – enjoying success with the frugal – before taking several narrow roles in films such since ’s Quando c’era lui&#; caro lei!

After a foray into enforcement songs for children, she correlative to the San Remo tier in with Futuro.

In character s, Orietta became a everyday face on Italian TV screens as a presenter, and she continues to issue the irregular album.